Blessed are you, our Lord, king of the cosmos, who has kept us alive, sustained us, and enabled us to reach this season; blessed are you, who bestows good things upon the unworthy, and has bestowed upon me every goodness; blessed are you, who has made nothing lacking in his world, and created within it good creations and good trees for your children to enjoy!  Blessed are you, the father of all, whose counsel is done by his own powers, who wishes to be known and is known by his own people; blessed are you, who by the word have constituted all things that are, whom all nature was born as image, whom nature has not produced a like figure; blessed are you, who surpass every excellence, who are stronger than every power, who are mightier than all praises.  Blessed are you, now and forever, here and everywhere.  Glory to God in the highest, to whom all glory is properly due!

My honor and gratitude to my ancestors: those of my blood, bone, flesh, and kin; those of my traditions, lineage, practices, and spirituality; those of my labor, trade, profession, and craft; those of my culture whose names everyone knows; those those names we have forgotten but whose presence we still feel; those who have passed away in my lifetime, and those who have passed away well before my birth.  We walk upon the ground you once walked upon, we breathe now the air you once breathed, we drink the water you once drank; your blood flows in our veins, your breath fills our lungs, your words echo in our ears even now.  We live today because of you; were it not for you, none of us today could live.  As we tread upon your bones and stand on your shoulders, may you uplift us and guide us that we may ever reach higher honorably, and in doing so, raise you up nobly in the world after this.  May every ancestor of each and every one of us be honored, remembered, and praised forevermore, that your spirits may never truly depart from the memory of your children.

My honor and gratitude to my family, especially my mother and my father and my sister and my brother, who nurtured and nurture me, with whom I grew and grow up.  Through the mere circumstances of my birth, I have been blessed with parents, siblings, cousins, and others who have supported me, uplifted me, and established me in the world for my own success, which encourages the success of us all.  Through the happenstance of my mother’s bearing me into the world have I been fortunate to find love, camaraderie, education, nourishment, and prosperity which would have been impossible were it not for them, and through the guidance of all my family have I been shown the manifold and innumerable opportunities for me to explore of the world.  May I always do my family honor, even should we disagree on the insignificant things; may I always make my family prosperous, even should we falter in faith in each other; may I always support my family proudly, even should we drift apart across the seas and generations.

My honor and gratitude to my teachers, instructors, and mentors in all subjects, numeric or artistic, physical or philosophical, material or immaterial, mundane or spiritual; whether you taught me as a child or as an adult, you are my teachers all the same.  It is because of you I have a love of learning, and it is by you I have a rigor for research.  From your hands and mouths have wisdom, knowledge, and understanding been passed onto me according to your own, and by my own do I hope to do right by your memory and build upon it where possible and to correct it when necessary.  Though you might have become fallible through your humanity, may I never speak ill of you, for the gifts you have given me surpass any critique except that which makes them better, which you yourselves would have endeavored to do, just as you encourage me to do.

My honor and gratitude to my friends, who guided me when I needed it, who celebrated with me when we could, who struggled with me when we had to, who cried with me in our sorrow.  May we always support each other and keep far from deceit and misunderstanding, that no obstacle may be too huge for us to overcome.  May we continue to look after each other as we look after ourselves, in joy and in grief, in luxury and in poverty, in wisdom and in folly, for the blood of the covenant is thicker than the water of the womb, and no truer connection can be made than those made freely out of our own free will.  Distant though we might be in time and space, the memories and impacts we have made will last forever, and always will you be honored in my life.  Even through our difficulties and through our distance, may we always keep each other aloft in our hearts, minds, and worlds through our memories and our care for each other.

My honor and gratitude to my husband, a kindred soul with whom I have become united, married together before the presence and sight of the gods and men.  A happy and strange couple we make, but the binding force of our love for each other overcomes all differences, difficulties, and dearth that the world would see thrust upon us.  Just as you complement me, I complement you; we come from different worlds, sometimes truly so, and through our union do we each help the other in areas each of us alone would be left to despair.  Just as you support me, I support you; we have embarked into a new life together, and even though we have our own magna opera to achieve, we help each other do so as we continue to achieve our shared magnum opus.  Stand by me that I may always stand by you, you who are my love, you who are my lover, you who are my beloved.  I have never loved you more than I love you now; I love you far more than I did yesterday, and far less than I shall tomorrow.

My honor and gratitude to the innumerable spirits with whom I have worked, on whom I have called, and by whom have I prospered.  Whether a spirit of the four elements, the seven planets, the ten heavens, the 12 signs, the 16 figures, the 24 hours, the 28 mansions, the 360 degrees, or any of the infinite stars in the nighttime sky; whether a spirit of the dead, the living, or the unborn-undying; whether a spirit of humanity, a spirit of those who were once human, or a spirit who was never human at any time before; whether a spirit assigned to me by higher powers or a spirit come to me of their own volition; whether a spirit of the ouranic, chthonic, thalassic, or gaic realms; whether deity of any pantheon, angel of any choir, saint of any patronage, demon of any operation, or devil of any hell; whether immanent or transcendent, present or absent; whether I have called upon you or have yet to do so in the constantly-passing passage of time!  I plead before you for your support for all the tasks I have yet to do, just as I plead before the Almighty for your well-being and power and grace.  My praise, thanks, and honor go to you, your words, your guidance, your actions, and your support to me in my life and in my Work.

My honor and gratitude to Hermes: blessed god, powerful god, splendid god, mighty god; god of travelers, roads, passages, and tricks; god of guides and guide of gods, men spirits, souls, and heroes.  Grant that I may always praise, rejoice, and celebrate you, that all the people of all the world, regardless of language, origin, age, or habit may come to honor, glorify, and praise you to sing your songs, dance your dances, and carry out your work for you in the cosmos.  It is because of you I stepped forth on the path that led me where I am today, and it is always with you in one form or another, by one name or another, wearing one mask or another, that I always shall travel to my ultimate and final destination.  Your hand opens the door for me; your wand points the way for me; your presence protects my own at all crossroads, both of the land and of the mind.  Before all others in time and thought, you are my patron among the theos; watch over me, and keep me far and safe from all pain, plague, poison, illness, injury, infirmity, death, disease, defilement, all harm and all misfortune and all witchcraft, wheresoever I may go.

May all that has happened before continue to teach, guide, instruct, and fortify me as I continue into the future.  May old pacts be renewed, alliances reinforced, works restarted, and offerings refreshed.  May I not abandon my original goals, but widen the scope of my horizons to go where I must go, know what I must know, do what I must do, and become what I must be.

Amen, amen, amen.

My honor and gratitude to my godfather and my godmother, and through them the rest of my godfamily, who have welcomed me as one of their own, despite all barriers and overcoming all obstacles.  Far more than any teacher, far more than any colleague, far more than any friend have my godparents stood up for me; by the hands, heart, and breath of my godfather has power, privilege, and divine right been passed onto me, and by the care, awareness, and perseverance of my godmother have I been empowered and protected.  The presence and power of the divine is now carried by my soul and body in ways subtle and mysterious, which I could never have known were it not for the grace and lenience of my godparents, just as it was passed onto them through their godparents, and through all the lineage into the distant reaches of time.  May I grow tall, strong, and prosperous under your tutelage; may I never dishonor, disgrace, or debase what you have passed onto me.  As you have granted me the grace of divinity through your right, may God grant me the grace to one day pass on what has been passed on to me in at least as good a condition as I received it, and by the grace of God, better than anyone could have hoped for.

As the days grow shorter and the leaves grow golden, the Sun leaves its station where I was born in flesh nigh three decades ago, and it retakes for the first time its station where I was born in spirit.  One year ago, I embarked on the spiritual endeavor of the iyaworaje of La Regla de Ocha Lukumí, and with the sunrise of this morning, it has concluded.

Honor, gratitude, praise, and power to the divinities of all the realms, who preside over all the elements of creation created by the Creator Almighty.
Honor, gratitude, praise, and power to the Diviner Priest of the Divine, the impartial witness of fate, the solemn scribe of destiny.
Honor, gratitude, praise, and power to the Trickster of the Crossroads, the living paradox, the critical instigator.
Honor, gratitude, praise, and power to the Silent Hunter of Prey and Criminals, tracking the paths of justice and righteousness.
Honor, gratitude, praise, and power to the Old Mountain King in White, covering the world in peace, purity, and wisdom.
Honor, gratitude, praise, and power to the Clever Queen, Warrior of the Winds, the gatekeeper of transitions and metamorphosis.
Honor, gratitude, praise, and power to the Charitable Lady of the Sweet Waters, letting flow freely the finest luxuries of life.
Honor, gratitude, praise, and power to the Mother Empress of the Ocean, the reason our tears and sweat are salty like her seas.
Honor, gratitude, praise, and power to the Fulminous Lord of Drums and Thunder, bestowing unto us the divine right of royalty.

All my honor, gratitude, praise, power, and total respect to the Blacksmith Warrior, the intelligent begetter of civilization and technology, the master of all tools, the one who cuts for life and death, the one who pierces for healing and killing, the alchemist and metallurgist of the animate and inanimate, the first who tastes blood, the reason of the red in our blood, the spiller of blood upon the earth, the Lord Of Iron and the Lord In Iron.  Hail to you, my lord, my king, my warrior, my commander, my defender, my protector, my patron saint, my guardian angel, my god, my father, my crown.  Hail to you, each and every day of my life, for I always was and always shall be your son.  Grant me your blessing, your guidance, your wisdom, your wit, your inventiveness, your ingenuity, your strength, your courage, your constitution, your protection.

A mà là!  Ògún Ààrẹ’ré, a mà là e a!  A fẹ́’re yọ̀, a fẹ́’re yọ̀; a fẹ́’re yọ̀, a fẹ́’re yọ̀!

Maferefun Ògún.  Modupé Ògún.

Ashé, ashé, ashé.

(No, dear reader, I’m not gonna stop posting about Hermetic, PGM, geomantic, or other occult stuff.  That will still be the focus of my blog, as it always was; don’t worry, no need for concern.  And yes, this does mean that in the near future I’ll be opening up for divination and other services.)

A few weeks ago, the good Dr Al Cummins and I were talking about geomantic magic.  It’s a sorely understood and understudied aspect of the whole art of geomancy, and though we know geomantic sigils exist, they’re never really used much besides in addition to the usual planetary or talismanic methods of Western magic.  While I’ve been focusing much on the techniques of divination, exploring the use of geomancy and geomantic figures in magical workings is something of a long-term, slow-burn, back-burner thing for me.  Al, on the other hand, has been jumping headlong into experimenting with using geomancy magically (geomagy?), which fascinates me, and which gives us nigh-endless stuff to conjecture and experiment with.  After all, there’s technically nothing stopping us from seeing the geomantic figures as “units” in and of themselves, not just as extensions of planets projected downward or as combinations of elements projected upwards, so seeing how we could incorporate geomancy into a more fuller body of magic in its own right is something we’re both excited to do.

One of these talks involved my use of the geomantic gestures (mudras, or as I prefer to call them, “seals”).  I brought up one such example of using a geomantic seal from a few years ago: I was at the tattoo parlor with a magic-sensitive friend of mine in the winter, and it had just started to snow.  I had to run across the street to get cash, and I decided that it wasn’t that cold (or that I could bear the weather better) to put on my coat.  I was, as it turns out, incorrect, and by the time I got back, I was rather chilled to the bone.  So, in an attempt to kickstart the process of warming back up, I threw the seal for Laetitia and intoned my mathetic word for Fire (ΧΙΑΩΧ). My sensitive friend immediately turned and picked up on what I was doing without knowing how.  I hadn’t really tried that before, but since I associate Laetitia with being pure fire (according to the elemental rulers/subrulers of the figures), I decided to tap into the element of Fire to warm myself up.  Since that point, I use the seals for Laetitia, Rubeus, Albus, and Tristitia as mudras for the elements of Fire, Air, Water, and Earth, respectively, like in my augmentation of the Calling the Sevenths ritual (e.g. in my Q.D.Sh. Ritual to precede other workings or as general energetic/spiritual maintenance).

Talking with Al about this, I came to the realization that I instinctively used the figures to access the elements; in other words, although we consider the figures being “constructed” out of the presence or absence of the elements, from a practical standpoint, it’s the opposite way around, where I use the figures as bases from which I reach the power of the elements.  That was interesting on its own, and something for another post and stream of thought, but Al also pointed out something cute: I use the figures of seven points as my seals for the elements.  This is mostly just coincidence, or rather a result of using the figures with one active point for representing one of the four elements in a pure expression, but it did trigger a conversation where we talked about arranging the seven planets among the points of the geomantic figures.  For instance, having a set of seven planetary talismans, I can use each individually on their own for a single planet, or I can arrange them on an altar for a combined effect.  If the seven-pointed figures can be used for the four elements, then it’d be possible to have elemental arrangements of the planets for use in blending planetary and elemental magic.

So, that got me thinking: if we were to see the geomantic figures not composed of the presence or absence of elements, but as compositions of the planets where each planet is one of the points within a figure, how might that be accomplished?  Obviously, we’d use fiery planets for the points in a figure’s Fire row, airy planets for the Air row, etc., but that’s too broad and vague a direction to follow.  How could such a method be constructed?

I thought about it a bit, and I recalled how I associated the planets (and other cosmic forces) with the elements according to the Tetractys of my mathesis work:

Note how the seven planets occupy the bottom two rungs on the Tetractys.  On the bottom rung, we have Mars in the sphaira of Fire, Jupiter in Air, Venus in Water, and Saturn in Earth; these are the four essentially elemental (ouranic) planets.  The other three planets (the Sun, the Moon, and Mercury) are on the third rung, with the Sun in the sphaira of Sulfur, the Moon in the sphaira of Salt, and the planet Mercury in the sphaira of the alchemical agent of Mercury.  Although we lack one force (Spirit) for a full empyrean set of mathetic forces for a neat one-to-one association between the empyrean forces and the four elements, note how these three planets are linked to the sphairai of the elements: the Sun is connected to both Fire and Air, Mercury to both Air and Water, and the Moon to both Water and Earth.

Since we want to map the seven planets onto the points of the figures, let’s start with the easiest ones that give us a one-to-one ratio of planets to points: the odd seven-pointed figures Laetitia, Rubeus, Albus, and Tristitia.  Let us first establish that the four ouranic planets Mars, Jupiter, Venus, and Saturn are the most elementally-representative of the seven planets, and thus must be present in every figure; said another way, these four planets are the ones that most manifest the elements themselves, and should be reflected in their mandatory presence in the figures that represent the different manifestations of the cosmos in terms of the sixteen geomantic figures.  The Sun, the Moon, and Mercury are the three empyrean planets, and may or may not be present so as to mitigate the other elements accordingly.  A row with only one point must therefore have only one planet in that row, and should be the ouranic planet to fully realize that element’s presence and power; a row with two points will have the ouranic planet of that row’s element as well as one of the empyrean planets, where the empyrean planet mitigates the pure elemental expression of the ouranic planet through its more unmanifest, luminary presence.  While the ouranic planets will always appear in the row of its associated element, the empyrean planets will move and shift in a harmonious way wherever needed; thus, since the Sun (as the planetary expression of Sulfur) “descends” into both Mars/Fire and Jupiter/Air, the Sun can appear in either the Fire or Air rows when needed.  Similarly, Mercury can appear in either the Air or Water rows, and the Moon in either the Water or Earth rows (but more on the exceptions to this below).

As an example, consider the figure Laetitia: a single point in the Fire row, and double points in the Air, Water, and Earth rows, as below:

First, we put in the ouranic planets by default in their respective elemental rows:

Note how Mars takes the single point in the Fire row, while Jupiter, Venus, and Saturn occupy only one of the points in the other rows; these three empty points will be filled by the three empyrean planets according to the most harmonious element.  The Moon can appear in either the Earth or Water rows, and Mercury can appear in either the Water or Air rows, but in the case of the figure Laetitia, the Sun can only appear in the Air row, since the Fire row has only one point and is already associated with Mars; thus, in Laetitia, the Sun goes to Air, Mercury to Water, and the Moon to Earth.

Following this rule, we get Rubeus with Jupiter occupying the sole Air point and the Sun moving to the Fire row as the second point, Albus with Venus in the sole Water point and Mercury moving to the Air row, and Tristitia with Saturn in the sole Earth point and the Moon moving to the Water row.

With those done, it would then be easy to see what Via would look like as a collection of planets: just the four ouranic planets Mars, Jupiter, Venus, and Saturn in a straight vertical line, the four purely-elemental ouranic planets without any of the mitigating empyrean ones, since the empyrean planets don’t need to be present to mitigate any of the ouranic ones.

Leaving aside Populus for the moment, what about the five-pointed and six-pointed figures?  In the case of five-pointed figures (e.g. Puer), we have to leave out two of the empyrean planets, and only one in the case of the six-pointed figures (e.g. Fortuna Maior).  For these figures, we decided to break with the foregoing empyrean-to-element rule and institute two new ones for these figures.

For five-pointed figures, use Mercury as the sole empyrean planet for the row with two dots, regardless where it may appear:

For six-pointed figures, use the Sun and Moon as the empyrean planets for the two rows with two dots, regardless where they may appear, with the Sun on the upper double-pointed row and the Moon on the lower double-pointed row:

Note how these two rules give us four figures where the empyrean planets do not appear where we would otherwise have expected them:

• Fortuna Maior (Sun in Water)
• Fortuna Minor (Moon in Air)
• Caput Draconis (Mercury in Fire)
• Cauda Draconis (Mercury in Earth)

I figured that this departure from the original empyrean-to-elemental-row idea was useful here, since it allows us to emphasize the structure of the figures and respect the natural affinities of the empyrean planets to each other.  The Sun and Moon have always been considered a pair unto themselves as the two luminaries; without one, the other shouldn’t necessarily be present in such a planetary arrangement.  Thus, for the five-pointed figures that omit the Sun and Moon, we would then use only Mercury, as it’s the only empyrean planet available.  Likewise, if either the Sun or Moon is present, the other should also be present; for the six-pointed figures, this means that Mercury is the only empyrean planet omitted.  An alternative arrangement could be used where you keep following the prior rules, such that Fortuna Maior uses the Sun and Mercury, Fortuna Minor uses Mercury and the Moon, etc., but I rather like keeping the Sun and Moon both in or out together.  It suggests a certain…fixity, as it were, in the six-pointed figures and mutability in the five-pointed figures that fits well with their even/objective/external or odd/subjective/internal meanings.

For all the foregoing, I’m torn between seeing whether the order of planets within a row (if there are two) matters or not.  In one sense, it shouldn’t matter; I only assigned the ouranic planets to the right point and the empyreal planets to the left because of the right-to-left nature of geomancy, and coming from a set theory point of view, the order of things in a set doesn’t really matter since sets don’t have orders, just magnitude.  On the other hand, we typically consider the left-hand side of things to be weaker, more receptive, more distant, or more manifested from the right-hand stronger, emitting, near, or manifesting (due, of course, to handedness in humans with the usual connotations of “dexter” and “sinister”), but relying on that notion, I do feel comfortable putting the empyrean planets (if any) on the left-hand points of a figure, with the ouranic planets on the right-hand side, if not the middle.  It’s mostly a matter of arbitrary convention, but it does…I dunno, feel better that way.

So that takes care of the figures of four, five, six, and seven points.  We only have one figure left, the eight-pointed figure Populus.  As usual with this figure, things get weird.  We can’t simply slap the planets onto the points of Populus because we only have seven planets; we’d either need to bring in an extra force (Spirit? Fixed stars? the Earth?) which would necessitate an eighth force which simply isn’t available planetarily, or we’d have to duplicate one of the existing seven planets which isn’t a great idea (though, if that were to be the case, I’d probably volunteer Mercury for that).  However, consider what the figure of Populus represents: emptiness, inertia, void.  What if, instead of filling in the points of the figure Populus, we fill in the spaces left behind by those points?  After all, if Populus is empty of elements, then why bother trying to put planets where there’ll be nothing, anyway?  If it’s void, then put the planets in the voids.  I found it easiest to conceive of seven voids around and among the points of Populus in a hexagram pattern:

Rather than filling in the points of Populus, which would necessitate an eighth planet or the duplication of one of the seven planets, we can envision the seven planets being used to fill the gaps between the points of Populus; seen another way, the planets would be arranged in a harmonic way, and Populus would take “form”, so to speak, in the gaps between the planets themselves.  The above arrangement of suggested points to fill naturally suggests the planetary hexagram used elsewhere in Western magic (note that the greyed-out circles above and below aren’t actually “there” for anything, but represent the voids that truly represent Populus around which the planets are arranged):

Simple enough, but I would instead recommend a different arrangement of planets to represent Populus based on all the rules we have above.  Note how the center column has three “voids” to fill by planets, and there are four “voids” on either side of the figure proper.  Rather than using the standard planetary hexagram, I’d recommend putting the three empyrean planets in the middle, with the Sun on top, Mercury in the middle, and the Moon on the bottom; then, putting Mars and Jupiter on the upper two “voids” with Venus and Saturn on the bottom two “voids”:

Note the symmetry here of the planets in the voids of Populus.  Above Mercury are the three hot planets (the right-hand side of the Tetractys), and below are the three cold planets (the left-hand side of the Tetractys).  On the right side are Mars and Venus together, representing the masculine and feminine principles through Fire and Water; on the left, Jupiter and Saturn, representing the expansive and contracting principles through Air and Earth; above is the Sun, the purely hot unmanifest force among the planets; below is the Moon, the coldest unmanifest force but closest to manifestation and density; in the middle is Mercury, the mean between them all.  Around the planet Mercury in the middle can be formed three axes: the vertical axis for the luminaries, the Jupiter-Venus axis for the benefics, and the Saturn-Mars axis for the malefics.  Note how Mercury plays the role of mean as much as on the Tetractys as it does here, played out in two of the three axes (Sun-Moon on the third rung, and Venus-Jupiter by being the one of the third-rung “parents” of the two elemental sphairai on the fourth rung).  The Saturn-Mars axis represents a connection that isn’t explicitly present on the Tetractys, but just as the transformation between Air and Water (hot/moist to cold/moist) is mediated by Mercury, so too would Mercury have to mediate the transformation between Fire and Earth (hot/dry to cold/dry); this can be visualized by the Tetractys “looping back” onto itself, as if it were wrapped around a cylinder, where the sphairai of Mars/Fire and Saturn/Earth neighbored each other on opposite sides, linked together by an implicit “negative” Mercury.  Further, read counterclockwise, the hexagram here is also related to the notion of astrological sect: the Sun, Jupiter, and Saturn belong to the diurnal sect, while the Moon, Venus, and Mars belong to the nocturnal sect; Saturn, though cold, is given to the diurnal sect of the Sun to mitigate its cold, and Mars, though hot, is given to the nocturnal sect of the Moon to mitigate its heat, with Mercury being adaptable, possesses no inherent sect of its own, but changes whether it rises before or after the Sun.

That done, I present the complete set of planetary arrangements for the sixteen geomantic figures, organized according to reverse binary order from Via down to Populus:

So, the real question then becomes, how might these be used?  It goes without saying that these can be used for scrying into, meditating upon, or generally pondering to more deeply explore the connections between the planets and the figures besides the mere correspondence of rulership.  Magically, you might consider creating and consecrating a set of seven planetary talismans.  Once made, they can be arranged into one of the sixteen geomantic figures according to the patterns above for specific workings; for instance, using the planetary arrangement of Acquisitio using the planetary talismans in a wealth working.  If you want to take the view that the figures are “constructed” from the planets much how we construct them from the elements, then this opens up new doors to, say, crafting invocations for the figures or combining the planets into an overall geomantic force.

However, there’s a snag we hit when we realize that most of the figures omit some of the planets; it’s only the case for five of the 16 figures that all seven planets are present, and of those five, one of them (Populus) is sufficiently weird to not fit any sort of pattern for the rest.  Thus, special handling would be needed for the leftover planetary talismans.  Consider:

• The five-pointed figures omit the Sun and the Moon.  These are the two visible principles of activity/positivity and passivity/negativity, taking form in the luminaries of the day and night.  These could be set to the right and left, respectively, of the figure to confer the celestial blessing of light onto the figure and guide its power through and between the “posts” of the two luminaries.
• The six-pointed figures omit the planet Mercury.  Magically, Mercury is the arbiter, messenger, and go-between of all things; though the planetary talisman of Mercury would not be needed for the six-pointed figures, his talisman should be set in a place of prominence at the top of the altar away from the figure-arrangement of the rest of the talismans to encourage and direct the flow of power as desired.
• The only four-pointed figure, Via, omits all three of the empyrean planets.  As this figure is already about directed motion, we could arrange these three talismans around the four ouranic planetary talismans in the form of a triangle that contains Via, with the Sun beneath the figure to the right, the Moon beneath the figure to the left, and Mercury above the figure in the middle; alternatively, the figure could be transformed into an arrow, with the talisman of Mercury forming the “tip” and the Sun and Moon forming the “arms” of the arrowpoint, placed either on top of or beneath the figure of Via to direct the power either away or towards the magician.

The eight-pointed figure Populus, although containing all seven planets in its arrangement, does so in a “negative” way by having the planets fill the voids between the points proper.  Rather than using the planets directly, it’s the silent voids between them that should be the focus of the works using this arrangement.  As an example, if we would normally set candles on top of the planetary talismans for the other arrangements, here we would arrange the planetary talismans according to the arrangement for Populus, but set up the candles in the empty voids where the points of Populus would be rather than on top of the talismans themselves.

All told, this is definitely something I want to experiment with as I conduct my own experiments with geomantic magic.  Even if it’s strictly theoretical without any substantial ritual gains, it still affords some interesting insights that tie back into mathesis for me.  Though it probably doesn’t need to be said, I’ll say it here explicitly: this is all very theoretical and hypothetical, with (for now) everything here untested and nothing here used.  If you do choose to experiment with it, caveat magus, and YMMV.