Thanks to Stephen Flowers in his Hermetic Magic and Fr. Michael Cecchetelli in his Book of Abrasax, there’s a particularly common ritual that many Hermetic magicians use that’s lifted from the Greek Magical Papyri. It’s usually called something like “calling the sevenths” or “heptagram rite”; the latter name is informative if misunderstood, since it should be interpreted as “seven letters” instead of a seven-sided polygon. I use it daily with my own tweaks for my own practice. It’s pretty straightforward, and Fr. MC has the simple form of the ritual on his blog:
- Face east. Extend both hands to the left. Intone Α.
- Face north. Extend only the right fist forward. Intone Ε.
- Face west. Extend both hands outward as if in embrace. Intone Η.
- Face south. Place both hands on the belly. Intone Ι.
- Face down. Bend over and touch the ends of the toes. Intone Ο.
- Face forward. Place the right hand on the heart. Intone Υ.
- Face up. Place both hands on top of the head. Intone Ω.
And that’s it. Visualizations of color, planetary symbols, reciting the permutations of the name ΙΑΩ, &c. are unnecessary for the completion of this ritual, strictly speaking. Merely making the gestures and intoning the seven vowels suffices for attuning oneself to the powers of the seven planets and inducing equilibrium in one’s sphere, as Fr. MC puts it. It’s a good practice to do, especially if you only have a few seconds to balance yourself out. Personally, I add in an intonation of the full set of vowels and permutation of the name ΙΑΩ (ΑΕΗΙΟΥΩ ΙΑΩ ΑΩΙ ΩΙΑ ΑΙΩ ΙΩΑ ΩΑΙ ΩΥΟΙΗΕΑ) to make it more well-rounded, but again, this isn’t necessary for the ritual itself.
Fr. MC gets the ritual from the Greek Magical Papyri, specifically from PGM XIII.824-841. However, what he doesn’t say is that this is only a small part of a much longer entry, PGM XIII.734-1077, titled The Tenth Hidden Book of Moses (although the word “tenth” is conjectured). It follows two other lengthy entries in PGM XIII, also titled something along similar lines as the Eighth Hidden Book of Moses, which are fairly decent magical grimoires in their own right. While it’s proven by demonstration that the heptagram rite given above works, it’s not quite the whole heptagram rite, which includes a lot more in the way of prayers, intonation, and and setup. For instance, Jason Miller in his Advanced Planetary Magic text includes an invocation that goes along with his own variation of the heptagram rite, which he calls “the Heptasphere” and which he also references Flowers’ and Fr. MC’s renditions of the ritual. This invocation is found directly after the heptagram rite in the PGM, and is nearly identical to Miller’s.
The text begins with a general instruction to the student, implying that the text is itself a selection or continuation of some other part of the PGM, referencing a list of gods of days, hours, weeks, and the months as well as an oath to keep the text secret (whoopsie). The purpose of the ritual is to obtain a favor, request, or vision of the god, though which god is unclear; the text begins by specifying as Ogdoas (a singular form of the eight-fold Egyptian gods collectively known as the Ogdoad), but the text veers off in another direction later. This initial part of PGM XIII.734 specifies six special names, the first implicitly and the latter five explicitly, and later there are the names of the eight individual gods (described as guards who attend the highest God) that are in the Ogdoad:
- The name of 7 letters: ΑΕΗΙΟΥΩ
- The name of God of Creation: ΟΓΔΟΑΣ
- The name of 9 letters: ΑΕΗ ΕΗΙ ΟΥΩ
- The name of 14 letters: ΥΣΑΥ ΣΙΑΥΕ ΙΑΩΥΣ
- The name of 26 letters: ΑΡΑΒΒΑΟΥΑΡΑΒΑ ΑΒΑΡΑΥΟΑΒΒΑΡΑ
- The name of Zeus: ΧΟΝΑΙ ΙΕΜΟΙ ΧΟ ΕΝΙ ΚΑ ΑΒΙΑ ΣΚΙΒΑ ΦΟΡΟΥΟΜ ΕΠΙΕΡΘΑΤ
- The eight names of the Ogdoad: Η Ω ΧΗ ΧΟΥΧ ΝΟΥΝ ΝΑΥΝΙ ΑΜΟΥΝ ΑΜΑΥΝΙ
The ritual continues with a lengthy preliminary invocation, followed by the Heptagram Rite as we know and practice it. After that, there’s the invocation to God (the one that Jason Miller based his off of), followed by a series of vowel permutations to call on God as the male gods, female gods, winds, east, south, west, north, earth, sky, and cosmos call God. Another invocation follows, and then the ritual seems to be concluded. What follows appears to be a separate initiation ritual that has not survived in its entirety, resuming near the end of another spell invoking Dionysos and Michael; after that, there are a series of other invocations, incantations, and spells that collectively compose this mini-grimoire of the Tenth Hidden Book of Moses.
With no further ado, let’s go over PGM XIII.763-889, the relevant part of the PGM entry. At sunrise, say the preliminary invocation:
Come to me, you from the four winds, ruler of all, who breathed spirit into men for life, whose is the hidden and unspeakable name, unutterable by human mouth, at whose name even the daimons are terrified when they hear it! You whose is the Sun, ΑΡΝΕΒΟΥΑΤ ΒΟΛΛΟΧ ΒΑΡΒΑΡΙΧ ΒΑΡΒΑΡΙΧ ΒΑΑΛΣΑΜΗΝ ΠΤΙΔΑΙΟΥ ΑΡΝΕΒΟΥΑΤ and the Moon ΑΡΣΕΝΠΕΝΠΡΩΟΥΘ ΒΑΡΒΑΡΑΙΩΝΕ ΟΣΡΑΡ ΜΕΜΨΕΧΕΙ—they are unwearied eyes shining in the pupils of men’s eyes—of whom heaven is the head, ether the body, earth the feet, and environment the water, the Agathos Daimon!
You are the ocean, begetter of good things and feeder of the civilized world. Yours is the eternal processional way in which your seven-lettered name is established for the harmony of the seven sounds of the planets which utter their voices according to the 28 forms of the Moon, ΣΑΡ ΑΦΑΡΑ ΑΦΑΡΑ Ι ΑΒΡΑΑΡΜ ΑΡΑΦΑ ΑΒΡΑΑΧ ΠΕΡΤΑΩΜΗΧ ΙΑΩ ΟΥΕ Η ΙΑΩ ΟΥΕ ΕΙΟΥ ΑΕΩ ΕΗΟΥ ΙΑΩ.
Yours are the beneficent effluxes of the stars, daimons, and Fortune and Fates, by whom is given wealth, good old age, good children, good luck, a good burial. Lord of Life, King of the heavens and the earth and all living things in them, you whose justice is not turned aside, you whose glorious name the Muses sing, you whom the eight guards attend who are Η Ω ΧΗ ΧΟΥΧ ΝΟΥΝ ΝΑΥΝΙ ΑΜΟΥΝ ΑΜΑΥΝΙ, you who have truth that never lies!
Your name and your spirit rest upon the good. Come into my mind and my understanding for all the time of my life and accomplish for me the desires of my soul. For you are I, and I you. Whatever I say must happen, for I have your name as a unique phylactery in my heart, and no flesh, although moved, will overpower me; no spirit will stand against me, neither daimon nor visitation nor any other of the evil beings of Hades because of your name, which I have in my soul and which I invoke.
Be with me always for good, a good god dwelling on a good man, yourself immune to magic, giving me health no magic can harm, well-being, prosperity, glory, victory, power, sex appeal! Restrain the evil eyes of each and all of my opponents, whether men or women, and give me charm in everything I do!
ΑΝΟΧ ΑΙΕΦΕ ΣΑΚΤΙΕΤΗ ΒΙΒΙΟΥ ΒΙΒΙΟΥ ΣΦΗ ΣΦΗ ΝΟΥΣΙ ΝΟΥΣΙ ΣΕΗΕ ΣΕΗΕ ΣΙΕΘΩ ΣΙΕΘΩ ΟΥΝ ΧΟΥΝΤΙΑΙ ΣΕΜΒΙ ΙΜΕΝΟΥΑΙ ΒΑΙΝΦΝΟΥΝ ΦΝΟΥΘ ΤΟΥΧΑΡ ΣΟΥΧΑΡ ΣΑΒΑΧΑΡ ΑΝΑ of the god ΙΕΟΥ ΙΟΝ ΕΟΝ ΘΩΘΩ ΟΥΘΡΟ ΘΡΩΡΕΣΕ ΕΡΙΩΠΩ ΙΥΗ ΑΗ ΙΑΩΑΙ ΑΕΗΙΟΥΩ ΑΕΗΙΟΥΩ ΗΟΧ ΜΑΝΕΒΙ ΧΥΧΙΩ ΑΛΑΡΑΩ ΚΟΛ ΚΟΛ ΚΑΑΤΩΝ ΚΟΛΚΑΝΘΩ ΒΑΛΑΛΑΧ ΑΒΛΑΛΑΧ ΟΘΕΡΧΕΝΘΕ ΒΟΥΛΩΧ ΒΟΥΛΩΧ ΟΣΕΡΧΝΘΕ ΜΕΝΘΕΙ
For I I have received the power of Abraham, Isaac, and Jacob, and of the great god, the daimon ΙΑΩ ΑΒΛΑΝΑΘΑΝΑΛΒΑ ΣΙΑΒΡΑΘΙΛΑΩ ΛΑΜΨΤΗΡ ΙΗΙ ΩΩ, God!
Do this, lord ΠΕΡΤΑΩΜΕΧ ΧΑΧΜΗΧ ΙΑΩ ΟΥΗΕ ΙΑΩ ΟΥΗΕ ΙΕΟΥ ΑΗΩ ΕΗΟΥ ΙΑΩ
Perform the calling of the sevenths, aka the Heptagram Rite. The ritual text has an accompanying diagram that links the directions with the vowels; the text says to just intone the letter, although the diagram specifies to lengthen the letter according to its place in the seven-lettered name (so Α, ΕΕ, ΗΗΗ, ΙΙΙΙ, etc.). For simplicity, I’ll just use the single version of each vowel.
- Face east (“speaking to the rising sun”). Extend both hands to the left. Intone Α.
- Face north. Extend only the right fist forward. Intone Ε.
- Face west. Extend both hands outward as if in embrace. Intone Η.
- Face south. Place both hands on the belly. Intone Ι.
- Face down (“to the earth”). Bend over and touch the ends of the toes. Intone Ο.
- Face forward (“into the air”). Place the right hand on the heart. Intone Υ.
- Face up (“into the sky”). Place both hands on top of the head. Intone Ω.
Say the invocation to Aiōn:
I call on you, eternal and unbegotten, who are one, who alone hold together the whole creation of all things, whom none understands, whom the gods worship, whose name not even the gods can utter. Inspire from your breath, ruler of the Pole, him who is under you! Accomplish for me now that which I seek:…
I call on you as the male gods call you: ΙΗΩ ΟΥΕ ΩΗΙ ΥΕ ΑΩ ΕΙ ΩΥ ΑΟΗ ΟΥΗ ΕΩΑ ΥΕΙ ΩΕΑ ΟΗΩ ΙΕΟΥ ΑΩ
I call on you as the female gods call you: ΙΑΗ ΕΩΟ ΙΟΥ ΕΗΙ ΩΑ ΕΗ ΙΕ ΑΙ ΥΟ ΗΙΑΥ ΕΩΟ ΟΥΗΕ ΙΑΩ ΩΑΙ ΕΟΥΗ ΥΩΗΙ ΙΩΑ
I call on you as the winds call you!
Face the sunrise in the east with arms raised in the orans gesture.
I call on you as the east: Α ΕΕ ΗΗΗ ΙΙΙΙ ΟΟΟΟΟ ΥΥΥΥΥΥ ΩΩΩΩΩΩΩ
Face north with arms raised in the orans gesture.
I call on you as the north: Ε ΗΗ ΙΙΙ ΟΟΟΟ ΥΥΥΥΥ ΩΩΩΩΩΩ ΑΑΑΑΑΑΑ
Face west with arms raised in the orans gesture.
I call on you as the west: Η ΙΙ ΟΟΟ ΥΥΥΥ ΩΩΩΩΩ ΑΑΑΑΑΑ ΕΕΕΕΕΕΕ
Face south with arms raised in the orans gesture.
I call on you as the south: Ι ΟΟ ΥΥΥ ΩΩΩΩ ΑΑΑΑΑ ΕΕΕΕΕΕ ΗΗΗΗΗΗΗ
Face down with arms raised in the orans gesture.
I call on you as the earth: Ο ΥΥ ΩΩΩ ΑΑΑΑ ΕΕΕΕΕ ΗΗΗΗΗΗ ΙΙΙΙΙΙΙ
Face forward with arms raised in the orans gesture.
I call on you as the sky: Υ ΩΩ ΑΑΑ ΕΕΕΕ ΗΗΗΗΗ ΙΙΙΙΙΙ ΟΟΟΟΟΟΟ
Face up with arms raised in the orans gesture.
I call on you as the cosmos: Ω ΑΑ ΕΕΕ ΗΗΗΗ ΙΙΙΙΙ ΟΟΟΟΟΟ ΥΥΥΥΥΥΥ
Say the final supplication.
Accomplish for me quickly that which I seek:… I call on your name, the greatest among gods! If I say it complete, the earth will quake, the sun will stop, the moon will be afraid, the rocks and the mountains and the sea and the rivers and every liquid will be petrified, the whole cosmos will be thrown into confusion! I call on you, ΙΥΕΥΟ ΩΑΕΗ ΙΑΩ ΑΕΗ ΑΙ ΕΗ ΑΗ ΙΟΥΩ ΕΥΗ ΙΕΟΥ ΑΗΩ ΗΙ ΩΗΙ ΙΑΗ ΙΩΟΥΗ ΑΥΗ ΥΗΑ ΙΩ ΙΩΑΙ ΙΩΑΙ ΩΗ ΕΕ ΟΥ ΙΩ ΙΑΩ, the Great Name!
Become for me Lynx, Eagle, Snake, Phoenix, Life, Power, Necessity, images of God! ΑΙΩ ΙΩΥ ΙΑΩ ΗΙΩ ΑΑ ΟΥΙ ΑΑΑΑ Ε ΙΥ ΙΩ ΩΗ ΙΑΩ ΑΙ ΑΩΗ ΟΥΕΩ ΑΙΕΗ ΙΟΥΕ ΥΕΙΑ ΕΙΩ ΗΙΙ ΥΥ ΕΕ ΗΗ ΩΑΟΗ ΧΕΧΑΜΨΙΜΜ ΧΑΓΓΑΛΑΣ ΕΗΙΟΥ ΙΗΕΑ ΩΟΗΟΕ ΖΩΙΩΙΗΡ ΩΜΥΡΥΡΟΜΡΟΜΟΣ ΑΙΩ Η ΙΙ ΥΥ ΗΗ ΟΑΟΗ
With that, the ritual is complete (or appears to be so). Besides my usual stylistic changes to the PGM text to make it flow a bit better and incorporating Betz’s additions to the text, I made one significant change in the long intonations of the vowels, calling on God as each of the directions. This part in the PGM didn’t seem to match the earlier sevenths-calling rite in several ways:
- The order goes east, south, west, north, earth, sky, cosmos (as opposed to the earlier east, north, west, south… before)
- Calling as the north starts with Ω (not Ε, as before)
- Calling as the earth starts with Ε (not Ο, as before)
- Calling on the cosmos starts with Ο (not Ω, as before)
- There are no gestures specified for these, but being general, I went with a general gesture. You might substitute, instead, with the prescribed gestures from earlier.
Now, as a proper ritual, at least we have a general idea of how it’s supposed to be employed, unlike some rituals from the PGM. We know that (what I’m calling) the Grand Heptagram Rite is an invocation of God by means of the seven planets and their seven letters, whether it is to obtain a vision or achieve some request. It’s intended to be done at dawn, though no specific day is mentioned within this part of the PGM entry. Unlike the common Heptagram Rite, which is a modern adaptation of part of this ritual, PGM XIII.763-889 isn’t intended to be used as a framing ritual to prepare or attune oneself before another working, but is to be employed on its own as its own complete ritual. However, nothing stops the interested magus from employing the Grand Heptagram Rite as a preliminary ritual, much as one might use the Headless Rite before a conjuration. However, based on the above, it’s clear how we might expand the popular Heptagram Rite into something not quite as big or elaborate as the Grand Heptagram Rite, such as by augmenting the single vowel intonations with the other vowels in sequence (as in the “I call on you as the east/north/west/&c.” section).
